Wednesday, September 24, 2003

A Long Day

Kids to school. radio show. home for lunch. type
up BOD letter. work the rest of the day. Stop in
at the pub. Home to cook dinner. sink into chair
achingly. Too tired to write a creative blog entry
much less work on the book I'm trying to finish by
Dec 1st. How did Joyce do it? hmmmm..... Nora

Louisiananananaians may be interested
in this:

Art exhibition on display at McNeese

"An art exhibition of works based on James Joyce's
'Finnegans Wake,' by Heather Ryan Kelley, McNeese
State University professor of art, will open Oct. 2
with a public reception from 7:30-9 p.m. in the
Abercrombie Gallery in the McNeese Shearman Fine
Arts Center.

The exhibit, "This Is the Way to the Museyroom," will
be on display through Oct. 24. The Abercrombie
Gallery is a non-profit gallery sponsored by the
McNeese Friends of the Visual Arts, a community
support group, and is open from 9 a.m.-4 p.m. Monday
through Friday. For more information, call the McNeese
Department of Visual Arts at 475-5060.

Tuesday, September 23, 2003

Girls Lean Back Everywhere

The book I ordered finally arrived today. “Girls
Lean Back Everywhere: The Law of Obscenity
and the Assault on Genius” by Edward de Grazia.
The title refers to a line from the case against Jane
Heap and Margaret Anderson, two American
publishers who were prosecuted in 1920 for
printing the Nausicaa Chapter (Gerty) in their
publication The Little Review.

“ Mr. Joyce was not teaching early Egyptian
perversions nor inventing new ones. Girls lean
back everywhere, showing lace and silk
stockings; wear low-cut sleeveless blouses,
breathless bathing suits; men think thoughts
and have emotions about these things every
where - seldom as delicately and imaginatively
as Mr. Bloom - and no one is corrupted.”
.............Jane Heap

Monday, September 22, 2003

The Honorable Woolsey

In honor of Banned Book Week, here are a few
excerpts from Judge Woolsey’s landmark
decision, written on December 6, 1933:

“...The motion for a decree dismissing the libel
herein is granted, and, consequently, of course,
the Government's motion for a decree of
forfeiture and destruction is denied......

... But in "Ulysses", in spite of its unusual
frankness, I do not detect anywhere the leer of
the sensualist. I hold, therefore, that it is not
pornographic.....

.... The words which are criticized as dirty are
old Saxon words known to almost all men and,
I venture, to many women, and are such words
as would be naturally and habitually used... In
respect of the recurrent emergence of the theme
of sex in the minds of his characters, it must
always be remembered that his locale was Celtic
and his season Spring....

.... I am quite aware that owing to some of its
scenes "Ulysses" is a rather strong draught to
ask some sensitive, though normal, persons to
take. But my considered opinion, after long
reflection, is that whilst in many places the effect
of "Ulysses" on the reader undoubtedly is some-
what emetic, nowhere does it tend to be an
aphrodisiac. "Ulysses" may, therefore, be
admitted into the United States.

JOHN M. WOOLSEY
United States District Judge”

Sunday, September 21, 2003

Happy Banned Books Week! This week runs
through September 27th. So kiss your copy
of Ulysses. Buy a banned book for someone
you love. Or hey, buy a challenged book
instead. There’s plenty of them out there.

First, here’s a definition of Challenged from
the American Library Association:

“A challenge is an attempt to remove
or restrict materials, based upon the
objections of a person or group. A
banning is the removal of those materials.
Challenges do not simply involve a person
expressing a point of view; rather, they are
an attempt to remove material from the
curriculum or library, thereby restricting
the access of others.”

Let’s see now there’s I Know Why the
Caged Bird Sings by Maya Angelou
(Too sexually explicit; doesn't represent
traditional values.)

Or how about Moby Dick by Herman Melville
(Conflicts with values of the community.)

Or that nasty little number Little House in the
Big Woods by Laura Ingalls Wilder
(Racially offensive.)

And that’s just the tip if the iceberg. Here’s a
few highlights from the list of the Most
Challenged Books from 1990 - 2000:

6. Of Mice and Men by John Steinbeck
7. Harry Potter (Series) by J.K. Rowling
8. Forever by Judy Blume
16. Goosebumps (Series) by R.L. Stine
18. The Color Purple by Alice Walker
19. Sex by Madonna
25. In the Night Kitchen by Maurice Sendak
32. Blubber by Judy Blume
38. Julie of the Wolves by Jean George
40. What’s Happening to my Body? Book for
Girls: A Growing-Up Guide by Lynda Madaras
51. A Light in the Attic by Shel Silverstein
55. Cujo by Stephen King
56. James and the Giant Peach by Roald Dahl
62. Are You There, God? It’s Me, Margaret by
Judy Blume
88. Where’s Waldo? by Martin Hanford
96. How to Eat Fried Worms by Thomas Rockwell

Yeah, that Judy Blume makes James Joyce look pretty
tame.

Saturday, September 20, 2003

Florida Dreaming

Here's a good reason to go to Florida:
The University of Miami has a collection
of sheet music containing songs from
James Joyce's works and from his personal
repertoire. A brilliant idea. You can find
this gem of a collection (large, but not
complete) in the Otto G. Richter Library,
Archives and Special Collections Department,
or go here.

Friday, September 19, 2003

Tweedy

In 1909, Joyce had another money-making idea
that didn't pan out. He wanted to import Irish
Tweed to Trieste. Dublin Woolen Mills was
all for the idea and hired Joyce as their sales
rep to Trieste but I don't believe anything tweed
ever actually changed hands.

That doesn't stop the DW Mills from bragging
about their past employee :

“The shop is now run by George, Bernard and
Valerie Roche, the greatgrandchildren of
Valentine James Roche who opened the store
on Bachelor's Walk in 1888. The Woollen Mills
has a number of interesting connections with
notable Irishmen and women, having employed
James Joyce and the Trieste representative
and the founder having held meetings with
Michael Davitt and Maude Gonne in the rooms
above the shop.”

Thursday, September 18, 2003

A Juicy Tidbit

In researching the dissenting opinion in the trial
against Ulysses in 1933 - U.S. v One Book Called
Ulysses by James Joyce, 72 F2d 705 (CA 2, 1934) -
I found out something fascinating about Judge
Martin Manton, who wrote the dissenting opinion
in the case.

Judge Woolsey’s opinion is one of the most famous
legal decisions ever written. It deserves, and will
receive, a later post of its own. But the case was
not won with out opposition, most strongly from
Judge Martin Manton and Judge Learned Hand (wow)
who stated that “fundamental values should be
expressed in a work of art and that one should not
be diverted for the obscenity of the book”. They were
seen as taking the “Pro-Morality View”.

Judge Manton, took this stance not because he
believed in it, but to disguise his own immoral
activities.

Judge Manton was convicted a few years after the
Ulysses trial, of conspiracy to obstruct justice.
He took over $186,000 in bribes in 28 separate
“distinct and overt acts.”(United States v Federal
Appeals Judge Martin T. Manton, 107 F2d 834
(CA 2, 1939) cert den 309 US 664; 60 S Ct 590;
84 L Ed 1012 (1940) )

Coming out against Ulysses was part of his cover, an
attempt to make himself look good and moral. He
was sentenced to two years in jail and a 10,000 fine.
And to whatever appropriate punishment Karmic Law
can come up with for someone who insincerely
denigrates a man and his book for his own personal
gain. What a skank.

Wednesday, September 17, 2003

Tomorrow: A Day Away

I'm doing some research on the famous Woolsey
decision. Haven't finished so nothing big to report
today, but here's one thing I didn't know. The
decision was 5 to 4. Close call. I'm trying to dig up
the dissenting opinion. Hope to have more on this
tomorrow.

Also, I purchased a tape on eBay of a reading by
James Joyce. I've never heard his voice before.
I hope that comes tomorrow too.

Tuesday, September 16, 2003

Joyce as Troubadour

I’ve been struggling to come up with ways to make
enough money via some side project so that I can
quit my job and just work on my writing. I find
myself thinking a lot about James Joyce’s struggles
to survive. We’re both good at coming up with ideas,
but not so good at the follow through or making our
ideas pay.

One of his early ideas was to be a traveling minstrel,
sort of a 20th century O’Carolan. Here’s how he
explained it in a letter to Gogarty written June 3rd,
1904:

“My idea for July and August is this - to get
Dolmetsch to make me a lute and to coast the
south of England from Falmouth to Margate,
singing old English songs”

And he told Padraic Colum that the tour would be
“personally conducted, like the Emperor Nero’s
tour in Greece.”

The plan didn’t work out. Dolmetsch, who had
made a similar instrument for Yeats, was hesitant
to make another one. He told Joyce that making a
lute would be highly expensive and “I could hardly
say when it would be finished. The lute is moreover
extremely difficult to play and very troublesome to
keep in order.” He recommended Joyce use a spinet
or harpsichord. Joyce gave up on the idea instead.

Monday, September 15, 2003

Copyright fans will like this article wherein University
of Tulsa English professor Robert Spoo asserts that
Ulysses lacks copyright in the US and falls under
Public Domain.

“The argument by the Joyce estate and Random
House for 1934 as the commencement of a
Ulysses copyright in the United States has no
basis in law, Spoo says. He explains that U.S.
copyright law in force in 1922 required foreign-
produced works in English to satisfy stringent
provisions ?which unabashedly protected our
domestic printers and book manufacturers.
Under that law, Joyce would have had to deposit
a copy of the book at the copyright office within
two months of publication in France, and then,
within another four months, have the book printed
on American soil by a U.S. printer. Spoo says
Joyce did not meet these requirements, thus
relinquishing his novel to the public domain.”

Spoo’s article was published in the Yale Law
Journal, Vol. 108, No. 3. You can receive a copy of
the article by emailing robert.spoo@yale.edu.

Sunday, September 14, 2003

Kickin' It with Joyce One Afternoon

If , by some universal tip o' the hat, I was
able to spend an afternoon with James Joyce
the first thing I would do is remind myself to
avoid the phrase "kickin' it".

Then I'd like to spend some time with him
sitting around the living room, listening to
cds.

I'd play some oldies (Gloomy Winter or
Brackagh Hill) and say, "Now this seems
like your kind of song. I'm surprised you
didn't use this in the Sirens episode".

And I'd play some new songs that I think he'd
like. And maybe I could get him to sing Ye
Banks and Braes for me. And then he'd ask
me to sing something. Gosh, what would
I choose.

Wouldn't that be a lovely afternoon...

Saturday, September 13, 2003

When I go to Galway, one of my first stops will be
Kenny's Books. I also want to see the Nora Barnacle
House Museum though it may not be open when I go,
seeing that they are only open from Mid-May to
Mid-September.

The Museum website doesn't give much information
about the place, though they mention that Joyce met
Nora's mother there for the first time in 1909.

I like the St Brigid's Cross on the outside of the
stairway. I have one of the same over my doorway.

Friday, September 12, 2003

The Pig Iron Theater Company put on a play in
April of this year entitled James Joyce is Dead
and So is Paris: The Lucia Joyce Cabaret.

"JJIDASIP is a rock cabaret/theater spectacle
focusing on Lucia's memories of her father and
her early days on the streets of Paris with her
lover, Samuel Beckett."

It is, apparently, a musical based on Lucia's days
in an institution, where she has started up an
asylum cabaret. It sounds exceptionally
creative as described in the reviews.

Anyone seen it?

Thursday, September 11, 2003

So here's what I think about the activities of the
Joyce Estate. First of all, Let me say that I can
understand Stephen James Joyce wanting to
protect what for many, are the sacred words of
James Joyce. Those words are precious to many,
life changing even.

But here's the thing: As much as I think Joyce
would shake his head or roll his eyes or groan in
disgust at some of the things people want to do
with his words, I believe that he would never, ever
want to censor anyone. And that's what the Joyce
estate is doing with its actions against theatre
companies and songwriters and others, who are
just trying to celebrate James Joyce in their own
way. How could he advocate censorship or heavy
rights restrictions after having suffered so aggre-
giously from censors for so many years. And more
from the nonsense over Dubliners than the famed
case of Ulysses. No. He wouldn't do it.
And Stephen James Joyce shouldn't do it either.

Wednesday, September 10, 2003

Some background: The Joyce Estate has
prohibited or blocked various forms of artistic
Joyce worship. They are tight with the purse
string of literary rights. Here's a few examples:

Here’s an article in the Observer about the
estate's attempt to thwart a musical version
of Molly's soliloquy at the Edinburgh festival
in 2000. The Joyce Estate said, `We have read
your submission carefully and have come to the
conclusion that you propose to treat the Molly
Bloom Monologue as if it were a circus act or a
jazz element in a jam session. This was clearly
not the intention of the author. Therefore we
must refuse you permission.'

Here’s a website with several interview
excerpts with Kate Bush. The much admired
musician set a portion of Molly’s soliloquy to
music but the Joyce Estate would not give her
permission to use the words so she could not
record it.

The Joyce Estate came out strongly against the
movie Nora and Stephen James Joyce accused
film-maker Pat Murphy of permanently damaging
the reputation of his grandparents.
More here.

The most negative article I found about the Joyce
Estate is here. It tells of several restrictive
actions of the Joyce estate, including those
towards a man who wanted to translate Finnegans
Wake into Turkish:

"We read with dismay" Sweeney (Lawyer of SJJ)
wrote Erkmen, "that you are `planning to translate
Finnegan's Wake'.(sic) I know that you will be aware
that it impossible (sic) to translate Finnegan's Wake.
(sic) With the best will, the most heroic effort and
the highest ability you might produce a personal inter-
pretation in Turkish of Mr. Joyce's final masterpiece.
To suggest/promise more...would be misleading,
some might say dishonest. “
For a couple of nights now I've been going back
and forth on the issue of the Joyce Literary estate
being stingy with rights. Damn the Libra part of
me, which keeps seeing both sides of the issue.
But I think I've finally come down from my
teeter-totter on the right side and I'll tell you
all about it later today, though I'm swamped and
I really want to spend some time on this.

I've got the radio show this morning, and it's
payday so I'm headed for the grocery store
to but all the things we've done without the past
few days. Then a Board report to prepare and
a meeting to go to........ Mamma told me there'd
be days like these.

Tuesday, September 09, 2003

Mondo Sismondo makes some great points on Gary
Hart's Joyce comment in her post on Aug 20th and
gives Hart a warning he should take VERY SERIOUSLY!
Leo Tolstoy was born on this date in 1828. Tolstoy
was one of Joyce's favorite writers and of Tolstoy,
he said:


"...the best authors of any period have always
been the prophets: the Tolstoys, the Dostoevskis,
the Ibsens--those who brought something new into
literature."

"Tolstoy is a magnificent writer. He is never dull,
never stupid, never tired, never pedantic, never
theatrical! He is head and shoulders over the others."

"Tolstoy is a great writer. Think of the story of the
rich man's devotion to his poor manservant --- Master
and Man. After Flaubert the best work in novel form
has been done by Tolstoy, Jacobsen and D'Annunzio."

Makes you want to reread Anna Karenina doesn’t it!
These quotes are thanks to the James Joyce Portal
where you can find more on Joyce's literary tastes.

Monday, September 08, 2003

I've been looking into James Joyce's descendants
today. Joyce's son Giorgio had one son with his
first wife Helen, Stephen James Joyce. You probably
knew that. Here's what I haven't been able to
figure out. Did Stephen James Joyce have any off-
spring? From all my digging I haven't found a thing.

SJJ did marry (Solange Raytchine) but perhaps they
didn't have any children which would mean Joyce will
soon have no direct descendants. (SJJ is about
80 years old). Joyce does have descendants through
his siblings, one of whom is Ken Monaghan, the son
of Joyce's sister May and Executive Director of the
James Joyce Center in Dublin.
(Wouldn't that be a nice job!)

In my genealogical searching I've found quite a bit
on Stephen James Joyce's reign as the executor of
Joyce's literary estate. I'll save that story for
tomorrow. I'm off to add more song links to my
music page.

Sunday, September 07, 2003

The James Joyce Bridge was opened this year on
June 16th. Official press release is here.

Excerpt:

Dublin City Council determined that the new bridge
be named James Joyce Bridge. James Joyce is
considered to be one of the most influential writers
of the 20th century. One of his best known short
stories is "The Dead" from "Dubliners". The setting
for the gathering described in the story is 15 Ushers
Island, which is directly opposite the bridge. Opening
of the bridge on Bloomsday was considered particu-
larly appropriate for this fine bridge.

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